Apparently God was from Hiiumaa to make such a seaside place. Hiiumaa is bigger from the inside than it looks from the outside. Although seemingly a small, quiet island, both visitor and summer resident will find everything and more here than in the big country or city. Marine, forest and solar batteries to recharge tired brains and batteries are free here. Depending on the time of the year, you can also get juniper, porcini or blueberry preserves.
In Hiiumaa, time moves at a different pace. “Jo vaatab,” says the Hiidlane, dismissing both today’s and tomorrow’s worries. After all, there are so many fun things to do during the day – like listening to the voices of nature and learning how to do productive non-domestic work, as recommended by guest guide Fred Jüssi.
In Hiiumaa you can really take your time and just feel good. Be on your own, take a walk in the woods, throw stones into the water at the beach, watch the stars in the night sky. It’s dark in Hiiumaa, with LED signs and street lighting so you can see into the night. In doing so, you can think or not think – in modern terms, meditate. In Hiiumaa, you can really do it, and the slowing down of time starts to rub off on the guests. It’s chill.
If you don’t dare to take such a sudden break from the hustle and bustle of everyday life, you might as well relax to the rhythm of the continent. You can go hiking, horse riding, scuba diving, sailing, climbing, fishing, fishing, playing tennis, lifting weights in the gym, enjoying culture and partying. There’s even a swimming pool, an airfield, a carding track and a gym. If you’re short of space, there’s even a telecommuting office and a rental house with sauna by the sea.
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metres. It was ordered from France in 1873. The lighthouse was assembled in 1874 from details that were brought from France. A 7-pood copper bell was also installed in the lighthouse. Almost at the same time another lighthouse of Hiiumaa Tahkuna lighthouse was also bought from Paris. During the First World War in 1915, German ships attacked the lighthouse and it was severely damaged. The tower’s appearance was changed a lot in 1920. It was supported with concrete belts up to the service room. Ristna was well known because of its fog-horn earlier. Global Navigation System station has worked there since 1994. The well-preserved service buildings of Ristna lighthouse date from the 2-nd half of the 19th century and constitute a remarkable and complete complex.
• The lighthouse was bought from the world exhibition of Paris in 1871 by Czarist Russia
• It is Estonia’s tallest lighthouse – 42.7 m above sea level As it is known, the cape of Tahkuna on Tahkuna peninsula is the most northern tip of Hiiumaa. All passing ships are warned of the closeness of land by a lighthouse which was assembled from parts of cast iron in 1875. It was made in Paris and delivered to Hiiumaa in parts. Two beacons were ordered from Paris at the same time. Ristna lighthouse was erected in the most western point of the island in 1874. The story of Hiiumaa’s lighthouses is an interesting one: up to the middle of the 19th century, stone was used as building material (Kõpu lighthouse); the so-called stone period was followed by cast iron period when Tahkuna and Ristna lighthouses were erected. The 20th century may be called the period of rein- forced concrete (Tohvri lighthouses). Tahkuna lighthouse is the highest lighthouse in Hiiumaa 42.6 m. Its absolute height is still less than that of Kõpu lighthouse which reaches 102 meters above the sea level. The light of Tahkuna lighthouse can be seen from the distance of 18 sea miles or 33 kilometres. In October 1941, during World War II, the fighters of the Soviet Army surrendered to Germans at the foot of Tahkuna lighthouse. A wind generator was erected in Tahkuna in 1995 under the leadership of Hiiumaa Biosphere Protection Area. This was the first of its kind built in Estonia. On 28 September 1994, the biggest catastrophe in peacetime happened in the Baltic Sea passenger ferry Estonia sank. To commemorate this tragic event, a monument “To children who perished in the Estonia shipwreck” was designed by sculptor Mati Karmin and erected in Tahkuna- the place which is the closest in Estonia to the place of the accident.
The castle has a museum room introducing the history of the manor, as well as a souvenir and book counter. In addition to beautiful interior and history, the surrounding area of the manor features a flower garden created by Hiiumaa Vocational School, an English park, and various ancillary buildings of the manor complex. At the manor after the manor era The functioning of manors as privately owned agricultural facilities ended by the year 1920. The nationalised buildings needed to be cared for and used; the lands had to be maintained. The grand building complex belonging to the Suuremõisa Manor managed to survive thanks to schools being accommodated in the main building. The first one was a small private school; the second was a parish school; and the third was Suuremõisa 8-form School, which is still run in the northern wing of the manor, now under the name Suuremõisa Basic School. In 1977, Putkaste Agricultural Technical School was opened in the main building of the manor. The latter evolved into the present-day Hiiumaa Vocational School. The fate of the various outbuildings has been very different. Several of them, such as the stable and the ice cellar of the manor, are in ruins or biding their time. The house of the stable master was renovated in the 1980s. It was first taken into use by the vocational school and later by private entrepreneurs. The big granary has been rebuilt and converted into a sports building. Several different craft workshops have been opened in the former manor servants’ house. A number of roadside outbuildings, including the cheese dairy, have housed shops, a bar, a hairdresser’s salon, a youth centre, a post office, etc. The courtyard between the buildings is used for open-air performances of plays. Concerts, weddings, birthday parties, and other events take place in the festive halls of the manor, in the park, and on the stairs of the main building. The first Suuremõisa Palace Days took place in 1993. In the middle of the 1990s, the filming of the Hiiumaa Song Day of 1931 for the movie Burning Love (by K. Petäjäniemi) took place here. In 1997, President Lennart Meri and Mrs. Helle Meri gave a reception for the Hiiumaa people in the mansion. About 100 members of the Ungern-Sternberg family gathered here in 2001. The Suuremõisa Manor is also an active participant of the game “Forgotten Manors”, which was launched in 2005.
The exhibition in the historical parish building provides a detailed overview of the composer’s life and work. The museum’s exhibition also includes 19th and 20th century furniture and musical instruments. In the courtyard of the museum, there is a barn, a cellar and a shed, and a post mill so characteristic of Hiiumaa. The beautiful view of Käina Bay will touch the heart of any visitor.
- In the 1880s, the size of farmlands was 86.22 lofstelles or 15.5 hectares.
- In 1932, the contract of purchase specified the size of farmlands as 76.14 hectares, incl. 44 ha of pasturelands, 21 ha of
meadowland, and 7-8 ha of hayland. - In 1920, there were 10 people living here – 6 adults and 4 children.
- The last inhabitant of Mihkli farm was Joosep Saarlaid (birth name Joosep Simmer, 1904–1987).
Currently, a family company named Hiiu Vill (Hiiu Wool) operates here. The oldest wool processing machines have been brought from Poland. Similar ones were operating here in the 1860s. It is assumed that the current ones date back to the 19th century, although the exact dates are unknown. The family members will gladly show you the machinery, although they are meant for doing actual work.
The museum includes an outdoor classroom which is partly surrounded by glass.
The esker runs from north-east to south-west. Its higher parts are covered with vegetation but become a beach full of pebbles. Unique trees and shrubs grow here: honeysuckle, alder buckthorn, buckthorn, and snowball tree. There is an abundance of sea kale on the shores, which make the beach an amazing sight during the flowering period. Not to mention the marvellous brier flowers. Kassari is a popular place for summer holidays: for example, the writer Aino Kallas and the linguist-diplomat Oskar Kallas have stayed here.
The Lavender Farm is located on a rocky and sunny slope, on the edge of the Kärdla meteorite crater. Our 20,000 lavender plants grow in an area of almost 1 hectare and blossom from late June to early August. We make exciting products from lavender, such as lavender jam, lavender spice and lavender micellar water. During blossoming, there are 100,000 helpers at the edge of the field, who diligently harvest lavender honey.We look forward to seeing you at the Open Farm Day, Harvest Party and Conservation Holiday. At other times or with a bigger group, visits can be booked individually.
One of the inauguration crosses has survived on the wall of the choir room. An unusual stone pulpit was given to the Pühalepa Church by the Hiiesaare manor lords, the Gentschiens in 1636.The burial chapel of the von Stenbock family is in the churchyard. The PüThe patron Saint of this church is Saint Laurentius – Protector against fire and guardian of the poor and destitute. This first stone church was built before 1260 and was considered a safe haven. The church was vaulted in the end of 1200s – early 1300s with three vaults. The initial rectangular size of the church was 9 x 22 m with no windows on the north side. This Gothic style church replicates those found on Gotland, Sweden. The earliest document that mentions the parish Pühalepa is from 1470. The early building materials were mainly fieldstone with the outer corners faced with limestone and with no visible base. Initially, there was also no sacristy or steeple. In 1575, during the Livonian war, the church was destroyed to ruins by the Russians attacking from Haapsalu. In the early 1600s was the church rebuilt. A new triumphal arch and gables were added. The late Renaissance stone pulpit, designed and constructed by Joachim Winter has been in the church since 1636. In the second half of the 18th century, the church was thoroughly renovated. The steeple, sanctuary and the choir loft, all got their current shape during this building period. New neo-gothic windows were opened in the north wall and a large steep pitched window was added to the choir loft. The total length of the building was now 41.5 x 13 metres as it is today. In 1874, the steeple height was topped and a neo-gothic cupola added to cap its current height of 38.1 metres. The churchyard is home to the two remaining, partly preserved sun crosses of Hiiumaa and Saaremaa, a disk-shaped cross, the small baroque cemetery chapel of the foundress of the Suuremõisa manor house, Ebba Margaretha Stenbock (1704−1775), tombstones for Suuremõisa’s gentlemen and other interesting grave markers from the 18th and 19th century. In the post-war years, the church was used for storage.
Did you know…?
The name ‘Reigi’ comes from Swedish and means ‘smoke’ or ‘signal fire’Pihla Tavern, known from Gustav Ernesaks’s opera ‘Stormy Beach’, was located across the street from the churchInspired by the words of Runeberg, Pastor G. F. Rinne wrote a song of praise to Hiiumaa to a tune by Pacius The name Reigi originates from the local Swedes and it means both smoke and beacon fire. Reigi was the biggest Swedish village in northern Hiiumaa. After the Swedes were deported in 1781, local Estonians started to form their own community in Reigi. Swedish families that lived beside the church were not deported and at first people called the community Rootsi küla (Swedish village); later it became the official name. Even before the World War II some older people in the village talked to each other in the old Swedish language. O. R. L. von Ungern-Sternberg established a small dairy farm attached to a manor in Reigi village proper. Bricks were also produced near Reigi. In the 20th century a dairy operated in Reigi. The manor served as a schoolhouse. Reigi became an independent parish in 1627, when the congregation separated from Käina. The writer Aino Kallas has described those times colourfully in her book The Reigi Pastor. The characters of the book did not go to the church we see nowadays, but an old wooden church that was situated in Reigi village. A wooden church with an architecturally interesting central tower was subsequently built in the 1690s on the high Pihla hill. The church was dedicated to John the Baptist. Swedes formed the better part of the congregation, so the clergymen had to speak Swedish too. The stone church, still used for services but reconsecrated to Christ, was built by Baron Otto Reinhold Ludwig von Ungern-Sternberg (1744-1811) in memory of his son Otto Dietrich Gustav, who killed himself. The church was inaugurated on August 24, 1802. The heraldry above the main entrance also refers to the Ungern-Sternbergs. The family burial place is situated nearby. Although the coat-of-arms remind us of the higher dignitaries, ordinary workers and builders are also remembered in the church. Their names can be seen on the black boards at the side of the altarpiece, next to the names of the patron and landlords. In accordance with modern traditions, the Reigi church is built to be roomy and light. If you think about it, being inside the church is very much like standing under a huge boat turned upside down. All of the architecture resounds with themes of belonging together. The biggest asset of the Reigi church is its art collection. Almost all the works tell a story that is older than the church and they lead us to the European art traditions through Biblical themes. It is not known exactly how all these works reached the far-away Reigi church, but some of them might have come from castaways and shipwrecks, and others must represent the taste or means of the former landowners. The year on the wall, 1899, is the year of the last major reconstruction work, when the church’s colour scheme changed and the current altarpiece was installed. The church may also justifiably be proud of its organ, presumed to be of Hiiumaa origin. Folk tales connect the organ with the parish pastors, the Sakkeuses from Käina, although there is no written evidence. The story of Reigi church could include a separate chapter about local pastors, because some of them were quite important in the history of culture. Some of them are more famous for their bad reputation than honest service in the congregation, for example the first pastor, P. A. Lempelius, who sentenced his unfaithful wife to death by beheading. C. Forsmann was a pastor at the time, when the Swedes were deported from the island and also during the inauguration of the stone church. He hired an itinerant clergyman and launched a hat factory. pictures or something else. The farmer could not answer these questions and at last he said, that there was just a bunch of straw with little creatures crawling on them – sheet music! Pastor G. F. Rinne could speak the local language very well, and composed an ode to Hiiumaa inspired by the words of Runeberg to a tune by Pacius he had heard in Finland. It is presumed that even J. V. Jannsen (1819-1890), an Estonian writer and person of culture during the awakening period, who couldn’t understand Finnish or Swedish, used the words of Rinne’s Hiiumaa song while composing Estonia’s national anthem. Across the road from the church was once situated the parsonage and the famous Pihla tavern that is even mentioned in Gustav Ernesaks’s opera Stormy Shore. The parsonage is still unoccupied, but full of dignity. Nothing is left of the Pihla tavern, and even the hill on which it was situated has been bulldozed. Legends and stories The church was also a place where people could get additional education, especially in reading and singing. But once it happened that a farmer found a book that he couldn’t understand. He offered it to the landlord and other people. Everybody asked: what does the book look like? Does it contain stories or is it empty, are there.
The nave resembles a church hall, despite the two rows of thin support columns. The choir room is separated from the nave by a high, but relatively narrow, triumphal arch. The Emmaste Church has a unique altar painting entitled The Resurrection. The author of the painting, as confirmed by the signature at the bottom of the canvas, is Tõnis Grenzstein, the distinguished representative of the Dusseldorf School in Estonia. The altar painting was completed in 1900. The oldest sacred building in Emmaste was Sõru wooden chapel which had become unserviceable by the time an independent Emmaste parish was formed in 1866. The owner of Emmaste manorial estate Brevern De la Gardie allocated a piece of his land for a new church. It was then called the Nõmme pine forest and is now known as the Church pine forest. Emmaste Immanuel Church was completed in 1867; the first minister was Ferdinand Luther. Theodor Embeck, who had become famous due to his missionary work, was also a minister of Emmaste Church. Emmaste Church is one of the youngest Lutheran churches in Hiiumaa. For local people it had also a more practical purpose- it was an excellent seamark. The most noteworthy work of art in the church is the altarpiece “Resurrection”, painted by Tõnis Greinztein (1863-1916) in 1900. The story of the bells of Emmaste Church is also interesting. Initially the church had two bells which were removed during World War I and probably melted into cannonballs. After the end of the war, local people raised money and had new bells made for the church. A man called Harju Tooma Johannes delivered the bells free of charge and only asked that the bells would be tolled at his funerals without a charge. During the Second World War local people hid the bells, fearing that the history would repeat itself. By now, one of the bells has been found and is hanging in the tower of the church again.
western coasts of Hiiumaa have been for hundreds of years settled by Hiiumaa Swedes, so it is natural that labyrinths are found in this area. The first written record of Hiiumaa labyrinths is from 1844 when Karl-Ernst von Baer mentioned the labyrinths in the northern tip of Hiiumaa. A labyrinth built by Swedes is preserved on the peninsula of Kootsaare. The tradition was continued in 1964 when the people of Kaibaldi village built miniature labyrinths for their children to play in. These labyrinths were copied from Kootsaare labyrinths. Hiiumaa Kuninglik Karskete Ölutinautlejate Selts (The Hiiumaa Royal Association of Temperate Beer-Lovers), established in 1997, undertook to revive the labyrinth building tradition in Hiiumaa and has built 8 labyrinths in different places on the island: Ristna Southern Point, Kõpu Church Hill, Mägipe Beach, Sääre Beach, Kassari, Mihkli Museum, Kärdla and Tahkuna. The labyrinth that was built in 1997 was an exact copy of the original Kootsaare labyrinth. However, the visitors of the labyrinth started to extend it and the initial classical cross spiral with round paths has turned into a simple spiral to which stones are added. People who wish to get a particularly magnificent view of the labyrinth should climb to the top of the lighthouse. Good traveller! Walk to the centre of the labyrinth, think about the world and your life, add some stones to the path and enjoy yourself!
harbour area was done and a new wooden wharf built. In 1974 a recreational harbour which represented a 30 metre long wooden wharf and a detached harbour building came into being next to the fishing harbour. In 1983 a net shed was built to the fishing harbour. During 1986 – 1987 a steel tower with radio communication equipment for communicating with fishermen at sea was erected in front of the guard house in the harbour. In 1989 a concrete wharf was constructed. In 1993 a Salinõmme Strait Fishing Farms Commercial Association was founded and most of the Salinõmme harbour went to its ownership. In 2006 a new concrete ramp was constructed with state funding and the harbour dredging works were done.
Kadrina Jakobson
Sündind 1790 aastal
Laulatatud 1808 aastal
Surnud 24tamal Mais 1855. Keik Temma murre vaew ning piin
On önsa otsa sanud siin
Ta kandis risti ilma peäl
On surnud ellab siski veel
You can organise trainings, seminars, or family events in the village centre.
From May to September, different cultural events take place on the island of Kassari, including the Cultural Thursdays of Kassari. You can also enjoy hikes in the wilderness, special theme nights, and concerts.
In Orjaku, you can go out on the sea on fishing boats and yachts, rent row boats, water bikes, and bikes.
SEE YOU AT THE HARBOUR!
The museum shop has a wide selection of handicrafts and souvenirs from Hiiumaa.
- Bronze bell – the ship’s or death bell which rings on its own in storm. With its cross-shaped pendulum moving in the storm as if bringing a message from the sea.
- Stainless round pipe cross always seems silver and crisp.
- The iron frame (parallelepiped) rusts (is covered with rust) rather fast and is in essence appropriate to the sea – it would be the natural state of a human product – iron – in sea. Wrecks also rust …
- Granite base, which is tilting towards the shipwreck but also in relation to the shore. The heeling of the monument affects one visual- ly-emotionally and should remind of the perished ship’s last moments.
- The pile of stones surrounding the monument gives people the chance to, besides ringing the bell, bring a stone to the pile and through that communicate with the monument.
- And finally the sacral monument – in a way the bell tower… although symbolic.
- The bronze bell has some subtle details – 4 faces of children in all the 4 cardinal directions…
- In a January storm of 2005 the monument was damaged significantly, when the sea and the storm washed away the filling of the foundation and the stones that covered it. On the initiative of Kõrgessaare parish the surrounding of the foundation was additionally filled and reinforced with concrete.
We sell handiwork made in Hiiumaa! Here, we have handicraft made by our grandmothers next to the work of youth and companies. Everything you find here is made in Hiiumaa and by people living here. Every piece carries the soul and might of its maker.
Our books cover a wide range of topics: history, nature, cooking, crafts, fiction, school literature, and children’s books.
The Hiiumaa Museum souvenir shop is also located in the Kassari Exhibition House. Also visit our online store on our website.
The crafts of Hiiumaa are exclusive and unique.
Welcome!
HIIUMAA CRAFTSMEN
The second warehouse in the marina has two floors and is also made of limestone and covered in lime plaster; this used to be the office of the marina. The building, formerly a barn, was constructed in 1849 and the locals call it Viinaladu (‘vodka storage’).
The public is not admitted inside the buildings.
In 1848 a 358-ton bark (ship), “Hioma”, was built in this harbor. This sailboat was the biggest boat in Estonia in the 19th century. “Hioma” was the first sailboat that sailed over the equator in 1854 and around Kap Hoorn into the Pacific Ocean.
A big storehouse has been taken under protection as an architectural monument.
The chimney of the power plant was built in years 1953-1954 with special chimney bricks. The chimney is 40 meters high.
Kärdla power plant was shut down in 1977. Its 8 diesel engines were conserved and Hiiumaa was integrated into the single Estonian energy system with a cable brought along the seabed from Saaremaa.
The power plant complex located on the beautiful Nuutri river forms a unique ensemble which can be admired from the outside by all visitors.
On the northern side of the square, 4 single-storey wooden houses or shop master’s houses for senior officials of the factory were erected and have preserved well until the present time. The houses had large gardens.
Until the end of 1970s, a house with pillars or the Summer Manor was located on the eastern side of the square. In the early years of the broadcloth factory, it was the residence of the factory director. In 1980, the building of the ECP Hiiumaa District Committee was built on its site according to the design
project by architect Elvi Raigna. When the factory was put into operation, Baron Ungern-Sternberg planted a young oak tree under a window of his summer manor and it is still growing there. The diameter of the oak tree is 3.25 metres and it is 12.5 metres high. Since 1982, a monument to the Kärdla Broadcloth Factory designed by Mati Karmin has stood in the centre of the Factory Square.
A pile was dug into the ground on 28 July 2003 to tell the ancient legend, but is also meant to support the entire culture of Hiiumaa – for at least as long as the Kõpu Lighthouse has stood on Hiiumaa. The Kõpu Lighthouse Foundation was established on 24 July 1999 to support the cultural life of Hiiumaa. The Board of the foundation decided that all donors would receive a nail bearing the donor’s name.
Traditionally, the nails awarded to new donors are hit in the Tubala pile every year on 28 July.
If you think you have already seen everything Hiiumaa has to offer, we invite you to discover something completely different! In the Pihla-Kaibaldi Nature Reserve, in the middle of a beautiful pine forest, there is a crescent-shaped field with loose sand. The nearly 12-hectare area was formed during World War II as a result of forest fires and the subsequent use as a training ground for tanks.
The sandy forest trails, unique heath pines, and white lichen there invite you to a short hike.Good to know: the Pihtla-Kaibaldi Nature Reserve was established in 1998 to preserve this unique natural community and the largest area of loose sand in Estonia, which was created partly due to human activities.
In the graveyard there are the graves of many famous people – the ancestors of the poets M. Under and D. Vaarandi; the actor Olev Eskola; familiar from V.Panso book “The Funny Person” Lepa Anna. Familiar from art, literature and folk tales the name of Villem Tamm, whom J. Köler used as a model for Christ when painting his work “Come to me” in Kaarli church. As a wood construction, Kassari chapel already existed in the first half of the 16th century. In the 18th century, the current stone building was erected, which was renovated for the first time in 1801; this date can also be found on the wall of the chapel. Initially, Kassari chapel served as a chapel of ease for Pühalepa congregation. In 1925, however, the church parishes were dissolved and Kassari chapel became a chapel of ease for Käina. Kassari chapel is the only ecclesiastical building in the Baltic countries still in use that has a reed roof. An interesting and seldom occurring fact is that the pulpit of the chapel has been built into the altar, which can also be seen in Tuhala. The building has no electricity and thus, all the services and events take place in candlelight. Next to the chapel, you will find the burial chapel of Kassari landlord A. W. von Stackelberg, which was used during the rule of the first Estonian government as a place for funeral rites in bad weather. Back then, the walls of Kassari chapel were adorned with metal wreaths. For a funeral, a wreath with the name of the deceased, and sometimes also with his profession and the names of mourners, was hung on the wall. The last thorough renovation of the chapel was carried out in 1992–1993, after which the chapel was also reconsecrated. The building is surrounded with a cosy, calm and quiet graveyard, which serves as the last resting place for the island folk. Some of the well-known people buried in Kassari graveyard include poet Marie Under’s maternal grandparents, poet Debora Vaarandi’s great grandmother, the main character from V. Panso’s book Lepa Anna (Anna Sooba), the manor swineherd Aadu Vesingi, actor Olev Eskola, teacher Ann Tamm, Villem Tamm – the prototype of Christ in J. Köler’s paintings, folk poetry collector Frie- drich Villem Vahe, plant breeder Peeter Bollmann, headmaster Thomas Piik, and family members of Kassari landowners von Stackelbergs. The graves of the local landlords are marked with marble monuments for August Wilhelm von Stackelberg (1774–1827), Eduard Heinrich August von Stackelberg (1806–1881), Georg August Arthur von Stackelberg (1850 1908), and Eduard August Arthur Ludwig von Stackelberg (1885–1910).
A pearling machine, millstones and some of the transmission system of the mill still survive.
The mill has been restored and the rooms have been refurbished for community activities; nevertheless, all those who are interested can still admire the exterior of the mill. In the 1930-ties Partsi mill was operated by Priidu Ala & Co. At the time flour and sawmill was powered by steam engine. In 1940 the mill was nationalised and after WWII the Partsi saw and flour mill belonged to the shipbuilding cooperative „Hiiu“. The cooperative ceased operating on February the 1st 1952 due to nationalising of the cooperatives. The mill was taken under protection as cultural monument in 10.09.1999 and in 2010 the renovation of the mill started. Groats machine, millstones and partially transmissions have still been preserved in the mill.
There is an old pine forest on the cliff, through which you can walk along the terrace. In the southern part of the cliff, there is a biohermal reef, formed from coral and other marine invertebrates. It is one of the most representative of its kind in Estonia. Several rare species of fern and flowering plants grow in the cliff’s fissures.
According to legend, Vanapagan used to make weapons inside the Kallaste cliff for the locals during the ancient war for freedom. Kallaste cliff has formed about 2000 years ago as a result of abrasional activity of sea. On the cliff extending up to 10 m above sea level there is cropping out an extensive section of Silurian (about 400 million years old) layers belonging to the Tamsalu Regional Stage. They were formed in shallow coast water and consist of numerous fossils and small coral riffs of that time. One of these coral riffs is cropping out as an irregular rock body in the southern part of the cliff and is considered one of the most interesting denuded reef-like formations in Estonia. Three and half meter layers of limestone, which contains corals, and clayey limestone are clearly distinguishable from each other. Clayey layers are less durable and the weathering has brought out two visible niches in the rock.
The barons of Emmaste, Suuremõisa and Putkaste were the initiators of the idea to build the church and gave the baron of Kärdla 2000 roubles for that purpose. The workers of the cloth factory made voluntary donations and a part of the money for the construction was taken from the workers wages. It is an architecturally harmonic, typical hall church with an “open” bell tower crowning the western facade (unique in Estonia). The architecture of the stylish and beautiful church in Kärdla is simple and ascetic. This architectural monument is one of the most distinguished working-class churches.
By now, the island has accepted the rocks, found a nice place for each, surrounded them with junipers, pines and firs and covered them with moss. This remarkable collection of rocks was examined twice, in 1871 and 1879, by Gregor Helmersen – a Baltic German of Estonian origin, a professor at St. Petersburg Mining Institute and a member of St. Petersburg Academy of Sciences, the first chairman of Russian Geology Committee. He considered the boulders so amazing that he called it the best sample of boulders in the world. Now, his memory is saved in the name of the boulders he examined.
A photo exhibition showcasing the diverse nature of Kõpu Peninsula is open all year round. We offer nature study programmes and organise events with a forest and nature theme. Ristna Nature Centre can also be rented as a venue for nature-themed events.
A ‘sea supermarket’ is also open. You will have to come and see for yourself what is sold there.
The upper part of the sinkhole has a diameter of about 32 metres, in the lower part it narrows down to 12 metres, and it is 6.2 metres deep. In here, the creek coming from Pihla wetland disappears under the ground.
In summer, when the weather is dry, you can see a limestone bedrock and a little opening to a cave at the bottom of the sinkhole. During high water in spring, so much surface water gathers here that the crater is filled with it and some of it spills over to the surroundings so that the whole place is reminiscent of a little lake. The water that disappears into the sinkhole re-surfaces on the ground 3 km away on an old pasture in Pihla village. Karst is a geological phenomenon in which rainwater dissolves easily crumbling bedrock and is absorbed through fissures, creating underground cavities, caves, and even underground rivers. In Estonia, karst phenomena occur mainly in the areas where limestone and dolomites form the bedrock. Karst is wide- spread in Estonia, mainly in Northern, Central and Western Estonia, including the islands. Large sinkholes are called ‘kurisu’ in Estonian. They can be funnel-, bowl-, or saucer-shaped and often reach dozens of metres in diameter. In Hiiumaa, the karst phenomenon occurs in several places, but the most magnificent of them is the Kurisu sinkhole. During spring flooding, the whole funnel is full of water and resembles a small lake. The water flows away through a small karst cave at the bottom of the funnel and an underground river. Sometimes, when the absorption is rapid, a vortex can be seen in the middle of the funnel. Several legends are known about the sinkhole. The most common one is the story of a girl who is said to have taken oxen exhausted by working to drink at the sinkhole. The vortex happened to be so powerful that it swallowed the oxen with the load and the girl. Only the girl’s red hair ribbon is said to have been found later in the pasture of Pihla farm, where the waters of the sinkhole come to the ground again. It is believed that such incidences were the reason why people started to call the sinkhole an “evil mouth” (‘kuri suu’ in Estonian). However, it is likely that the word ‘kurisu’ actually comes from such Balto-Finnic words as ‘kuristik’ (abyss) and ‘keeris’ (vortex).
The studio offers a selection of smaller series items, glass trays, glass jewellery, and souvenirs.
You can engrave a name or dedication to the items for birthdays, anniversaries, and weddings.We pack the glassware in gift boxes with silk paper.
Items can be ordered in various colours or sizes. Orders take at least a few weeks.
soviet boarder guard ar- rived to the island in December 1944. There was 24-hour surveillance during the Soviet time on the island. Sääre observation tower belonged under Kuri cordon that carried out surveillance also in Suursadam. The soviet army started leaving the country after Estonia regained its independence on August the 20th 1991. The last soviet boarder guard troops left Hiiumaa in September 1992.